Materialists

"Materialists" is a romantic comedy-drama that dives headfirst into the glitzy, chaotic world of modern dating in New York City. Written and directed by Celine Song (of "Past Lives" fame), the film follows Lucy Mason, a former actress turned successful matchmaker, played by Dakota Johnson. Lucy’s life is all about helping others find love—ideally with someone rich—but her own love life is a bit of a mess. Things get complicated when she finds herself caught between her charming, wealthy new suitor (Pedro Pascal) and her struggling actor ex (Chris Evans), who still holds a piece of her heart.

Set against the backdrop of NYC’s luxury dating scene, "Materialists" explores themes of love, ambition, and the sometimes uncomfortable intersection of romance and money. It’s a story about people trying to find connection in a world obsessed with status and appearances, and it doesn’t shy away from the messiness that comes with that.

If you’re into smart, character-driven stories with a romantic core and a bit of social commentary, this one’s for you. The film has been praised for its mature take on the rom-com formula, with critics highlighting its sharp writing, nuanced performances, and emotional depth. Fans of Celine Song’s previous work will likely appreciate her continued exploration of identity and intimacy, while those who enjoy a more traditional or lighthearted romantic comedy might find the tone a bit too serious or the pacing a bit slow.

The cast is stacked with talent—Dakota Johnson brings complexity to Lucy, Chris Evans shows a more vulnerable side, and Pedro Pascal adds charm and intrigue. Supporting performances from Zoë Winters, Marin Ireland, and others round out the ensemble nicely.

Visually, the film captures New York in all its romantic and gritty glory, thanks to cinematographer Shabier Kirchner’s 35mm lens. The soundtrack, featuring music by Daniel Pemberton and songs by Japanese Breakfast and Baby Rose, adds an extra layer of emotion and atmosphere.

"Materialists" has been a box office success, becoming A24’s third-highest-grossing film and the top independent film of the year. While most critics responded positively, some felt the film’s ambition occasionally got in the way of its emotional core. Still, it’s a thoughtful, stylish, and grown-up take on love in the modern age—perfect for viewers who like their romance with a side of realism.